Dr. Bregt Lameris

Herausgeberschaft

Tijdschrift voor Mediageschiedenis – Waanzin en Media special issue: Madness and Media, vol.16, no.1, 2013. (Link to the issue

Monographie

Film Museum Practice and Film Historiography. The Case of the Nederlands Filmmuseum (1946-2000). Reihe: Framing Film (Amsterdam: Amsterdam University Press/EYE, 2017)

Aufsätze (Auswahl)

«The Magnus-Rademaker scientific film collection. Ethical issues on animal experimentation (1908-1940),» Journal of the History of the Neurosciences Special Issue ‘Development and application of cinematography in the field of neurosciences,’ ed. by Lorenzo Lorusso and Geneviève Aubert (2016) in co-authorship with Peter Koehler

«Neurocinematography in pre-World War II Netherlands. The Magnus-Rademaker collection,» Journal of the History of the Neurosciences Special Issue «Development and application of cinematography in the field of neurosciences,» ed. by Lorenzo Lorusso and Geneviève Aubert (2016) in co-authorship with Peter Koehler and Eva Hielscher.

«Hand-painted Abstractions: Experimental Color in the Creation and Restoration of Ballet mécanique,»The Moving Image special issue Color, vol.15, no.1 (2015), in co-authorship with Guy Edmonds and Rossella Catanese.

«On the Restoration History of Colored Silent Films in Germany: An Interview with Martin Koerber,» The Moving Image special issue Color, vol.15, no.1 (2015)

«Colourful Projections: Bauhaus Farbenlichtspiele 
and their 
Various Reconstructions.» At the Borders of (Film) History. Temporality, Archaeology, Theories. Andrea Beltrame and Andrea Mariani (eds.), Filmforum: Udine, (2015): 371-379.

«Phantom Colours: Alice Blue and Phantom Red, Changing Meanings of Two Fashionable Colours (1905-1930),» Catwalk: The Journal of Fashion, Beauty and Style, Global Interdisciplinary Research Series, Oxford, Inter-disciplinary.net Press, vol.3, no.2 (2014), in co-authorship with Victoria Jackson.

«Reading the Archive, Tracing Film History – Ballet Mécanique coloured or black-and-white?», The Archive, Memory, Cinema, Video and the Image of the Present, Pietro Bianchi, Giulio Burso, Simone Venturini (eds.), FilmForum; Udine 2012: 103-110

«Die Betrachtung der optischen Erscheinungen, welche die Geisteskranken bieten - Prof. Dr. Robert Sommer (1864-1937) en de Stereoskopphotographie als wetenschappelijk instrument in de psychopathologie.» (Prof. dr. Sommer and stereoscopy as scientific instrument in psycho-pathology) Tijdschrift voor Mediageschiedenis, vol. 16, no. 1 (2013): 8-26

«Inleiding. Waanzin en Media» (Introduction. Madness and Media), Tijdschrift voor Mediageschiedenis, vol. 16, nr. 1: 3-8 (2013) in co-authorship with Ivo Blom.

«Early Passive and Active Preservation in the Netherlands Filmmuseum 1956-1984» Journal of Film Preservation, no. 87, october (2012): 51-56

«Het filmarchief en de gekleurde filmgeschiedenis van Jean Desmet» (The film archive and the coloured history of Jean Desmet), Archievenblad, november (2010): 19-22

«Writing the History of Lost Films», in: What Burns Never Returns; Lost and Found Films, Giulio Bursi, Simone Venturini (eds), Campanotto Editore; Udine (2011): 120-138

«Materialità e sensazione storica del film», in: Bianco e Nero, no.553, 2005: 147-154

«Pathécolor: the absolute rendition of natural colours», Living Pictures: The Journal of the Popular and the Projected Image Before 1914, vol.2, no.2 (2003): 46-58